poetic rhythm

英 [pəʊˈetɪk ˈrɪðəm] 美 [poʊˈetɪk ˈrɪðəm]

网络  诗的节奏

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双语例句

  1. A group of 2 or 3 syllables forming the basic unit of poetic rhythm.
    由两三个音节组成的诗歌韵律的基本单位。
  2. This article gives a brief account of the differences between poetic language and common language from aspects of grammar, rhythm and image.
    从语法、韵律、意象等三个层面对诗歌语言与普通语言的差异性进行阐述。
  3. The characteristics of the poetic language are distinctive figures, new and strange dynamics, harmonious rhythm and the artistic means of strengthening the language imagination, such as personification and imitative things, exaggeration and metaphor, general feelings of six sense organs.
    诗歌语言的特征是:形象鲜明,新奇动感,音韵和谐,增强语言形象感的艺术手法:拟人拟物,夸张比喻,六根通感。
  4. However, deep inside of this artwork, it has poetic imagery, musical rhythm and melody.
    不过,深入作品内部,却有着诗歌的意象、音乐般的节奏和旋律。
  5. A poetic rhythm that imitates the rhythm of speech.
    一种模仿演讲节奏的诗歌音律。
  6. On Commonsense and Difference in Cognition Translation of Rhyme Beauty of classical Chinese Poems into English Ones On Commonsense of Recognition of Poetic Rhythm Beauty and Its Translation
    汉英诗歌音韵美的相异性及翻译论汉诗英译中的音韵美的认知共识与翻译
  7. The Chinese poetic rhythm consists of two elements& basic elements and subordinate elements.
    汉语诗歌节奏有两种成分&基本成分和附属成分。
  8. Chapter two discovers the connotation and the unceasingly developing history of several poetic aesthetic categories such as vigor of style, rhythm and fusion of setting and feeling reflected in the prefaces and postscripts.
    第二章揭示了序跋中反映出风骨、声律和声调、兴象几个诗学美学范畴的内涵和不断演进的历史;
  9. On Commonsense of Recognition of Poetic Rhythm Beauty and Its Translation
    论汉诗英译中的音韵美的认知共识与翻译
  10. Comment on WANG fu-zhi's Theory of Poetic Rhythm
    流意发音穆耳协心&王夫之诗歌声律论评析
  11. "Black Steed" brings us enormous beautiful poetic experience from poetic language, romantic images and text rhythm.
    《黑骏马》从诗意语言上、浪漫形象上、文本节奏等方面给我们带来了极大的诗美体验。
  12. Analysed from the respect of poetic form, the beauty is conveyed in two forms of expression: the beauty of structure and the beauty of rhythm.
    从诗的形式方面来看,《乡愁》一表现为结构美,二表现为音乐美。
  13. On Selected Works on Poetic Rhythm Study in Qing Dynasty
    清代诗歌声律学著作举要
  14. Mings theory on poetic "rhythm" has two points.
    明人“韵”论在两个层面上展开。
  15. The application of method of narrative still makes the works possess the grave and stern dignified poetic atmosphere. This major show the large scale application narrated at the first person, seeking of spoken language and rhythm and depicting of natural environment.
    叙事技巧的运用还使作品具有了冷峻凝重的诗意氛围,这主要表现在第一人称叙述的大规模运用、口语化叙述语言与音乐式节律的追求和自然环境的描绘上。
  16. Chapter Three "The Formal Expression in Dickinson's Poetry" mainly analyzes her inheritance and innovation in poetic forms from two perspectives: rhyme and rhythm.
    第三章狄金森诗歌形式的表现主要阐述了她诗歌形式的表现手法对传统诗学在韵律方面的大胆扬弃。
  17. Thus, Cao Cao's works are still a beauty combining poetic language with musical rhythm, belonging to the category of the Han "lyric".
    据此而论:曹操的作品仍是诗歌语言与音乐旋律之美的综合体,属于汉代歌诗的范畴;
  18. 'Pausing rhythm' as the principal rule and the sole criteria to determine an ancient poetic sentence, represents the combining requirements of semantic expression and physiological phonation which together determine the length of a sentence and restrict the syllable structure and rhythm within a poetic sentence.
    停顿律是古典诗歌句子的首要规律和唯一划分标准,代表语义表达和人体发声规律对句长的共同选择作用,和对句内音节结构以及节奏的限制。
  19. The paper mainly gives careful analysis and summarization to historical study of poetic forms in order to reveal the innovation of Tang poetry style based on and beyond the poetry sound and rhythm of the six dynasties from Wei to Jin.
    第一,唐诗格所关注的形式特征和它所解决的问题,主要针对诗格形式研究的史料进行细致分析和归纳整理,以揭示唐诗格对六朝声律论的革新和超越。
  20. The deep semantic structure only is an interpretation of the poetic implications on metalanguage. Poetic implications must be tasted with rhythm, tonality and tempo of the poetry.
    深层语义结构只是对诗歌含义元语言的解释,诗歌含义必须伴随诗歌文本的韵律、调性和节奏来品味。
  21. Chapter two studies the expressive forms of Williams 'poetic ideas. It probes into the uniqueness and creativity of Williams' poetry from three aspects as variations on objects, variations on language and variations on rhythm.
    第二章研究威廉斯诗歌主张的表现形式,分别从事物的变奏、语言的变奏和韵律的变奏等三个方面,分析威廉斯诗歌的独特性和创新性。